Guided Reading Activity 152 World History Ideas and Art of the Renaissance

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Equally with other subjects, almost of what we acquire about art history today withal centers on white men from Europe and, later, the United States. In reality, in that location are then many more artists of all genders to acquire from and appreciate.

Hither, we're specifically taking a look at only some of the women who have had lasting impacts on their fine art forms. From some of the art world's most iconic pioneers to its almost unsung heroes, these women artists all had a hand — and, in some cases, nonetheless take a hand — in changing the world of fine fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more thirty years. After studying the piece of work of painters similar Cézanne and Monet while abroad, she returned to the United states of america, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modern Fine art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is maybe most well known for her series of Untitled Moving-picture show Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, amongst them, ingénue, working girl, vamp, and lone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and commonage identities.

Yoko Ono

A withal from the performance Cut Piece, 1964, and a picture of the installation One-half-A-Room, 1967, as seen at the Museum of Modernistic Art in New York City in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You lot might offset think of Yoko Ono as a musician and activist, merely she's also an accomplished functioning and conceptual artist. Ono was considered a pioneer in the operation art motility, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a functioning she first staged in Japan; Ono sabbatum on stage in a nice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audition members to come on stage and cut away pieces of her clothing. "Fine art is similar breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar's Blackness Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Modernistic Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed equally a social worker. A printmaking elective changed her unabridged career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you tin can get the viewer to look at a work of art, and so you might be able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo'southward 1939 painting Las Dos Fridas at the Earth Forum of Civilization in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from United mexican states, she is best known for exploring themes like death and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the nigh influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, simply she's also known for her hyper-existent sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which employ mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile First Lady Michelle Obama (Fifty) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'southward National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than mutual in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald's piece of work — and her signature grayscale skin tones — as she was the start Blackness woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Reddish With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely acquaintance Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, merely maybe, the skyscrapers of New York Metropolis. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all by painting in her unique way.

Adrian Piper

Adrian Piper wins the Gilded Lion for all-time creative person in Okwui Enwezor'south biennial exhibition All the World'due south Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Metropolis. She used her piece of work to question guild, identity, and racial politics by demanding the audition to confront truths nigh themselves. She often challenged people on the streets of New York to guess her race, socio-economical class, and gender — all while dressed as a Black man with a imitation mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat'southward poses in forepart of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship between Islam'due south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act every bit meditations on diverse concepts, such as trauma, knowledge, and hope. I of her more than notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'southward art addresses identity and history — and, in particular, houselessness and the voicelessness of the Kickoff Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous N American culture. In 2005, she was the first Ethnic woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is amend known for her installation art and sculptures — like the spider above — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures within the early Feminist Art movement. Equally exemplified in her iconic work The Dinner Party, her installation pieces often examine the office of women in history and civilisation — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the first feminist art program in the U.s..

Augusta Savage

Augusta Barbarous with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oft of Black folks, Vicious founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso art". (Only await up her most famous piece of work, Interior Scroll, and you'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive artful and social conventions established past our patriarchal society.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In improver to documenting New York Metropolis's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to you? Well, that'southward the thought! Elaine Sturtevant, who went by her final name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based creative person, Asawa's last public commission was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York Metropolis. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a mode that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sunday) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Touch on Laurels at the Indiecade Festival in 2020 and the Artistic Honor from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Assistants (WPA).

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